Generate Music from Text

{
    "caption": "Global Metadata\r\nBasic Attributes: bpm is 92. key is D, and scale is minor. Sea Shanty / A Cappella Folk.\r\nGlobal Emotional Progression: Opens with one weathered voice telling the story alone, then swells into a rowdy, warm crew chorus. The second verse turns tender and reflective before the final chorus lands at full strength and the last line is left to a single voice.\r\nSonics & Production Profile: Dry, close and natural, like a room full of men around a table. No instruments at all. Width comes from the spread of voices, low end from bass singers and boot stomps.\r\nVocal Details\r\nVocal Gender & Timbre: Male lead, gravelly baritone with a storyteller's clarity.\r\nVocal Style: Verses are sung solo, plainly and rhythmically, with clear diction. Choruses are belted with a rolling work-song swing.\r\nHarmony/Backing Vocals: A male crew of six to eight voices answers in the chorus in thick three-part harmony with a deep bass line, shouting the word \"Heave\" together.\r\nVocal FX: Short wooden room reverb only.\r\nArrangement\r\nPrimary: Human voices only, lead baritone throughout.\r\nSecondary: Boot stomps on beats one and three and hand claps on two and four enter with the first chorus and stay.\r\nGroove & Foundation Progression: Verse one is voice alone with a single stomp per bar. The chorus adds the full crew, stomps and claps. Verse two drops back to lead voice over low hummed harmony. The final chorus is the loudest moment, then everything stops for the solo last line.\r\nEmbellishments, Textures & Spatial FX: A table knock before each chorus, a low sustained hum under verse two, a shared breath before the final line.",
    "model": "MiniMaxMusic3_11B_INT8",
    "duration": 20,
    "inference_steps": 30,
    "guidance_scale": 1.7,
    "seed": -1,
    "format": "mp3",
    "vocal_language": "unknown",
    "lyrics": "[Verse]\r\nOh the fog rolled in on a Tuesday night\r\nAnd the gulls went quiet on the stone\r\nI trimmed the wick and I lit the light\r\nFor the ships that were far from home\r\n[Chorus]\r\nHeave away, the lamp is turning\r\nHeave away, the night is long\r\nKeep the fire on the headland burning\r\nTill the last of the fleet comes home\r\n[Verse]\r\nForty years on a rock in the weather\r\nWith a kettle, a dog and a bell\r\nCounting sails like a shepherd counts heather\r\nAnd I've known every one of them well\r\n[Chorus]\r\nHeave away, the lamp is turning\r\nHeave away, the night is long\r\nKeep the fire on the headland burning\r\nTill the last of the fleet comes home\r\n[Outro]\r\nTill the last of the fleet comes home"
}

curl -X POST \
  'https://api.deapi.ai/api/v2/audio/music' \
  -H 'Content-Type: application/json' \
  -H 'Accept: application/json' \
  -H 'Authorization: Bearer {{ YOUR_API_TOKEN }}' \
  -d '{
    "caption": "Global Metadata\r\nBasic Attributes: bpm is 92. key is D, and scale is minor. Sea Shanty / A Cappella Folk.\r\nGlobal Emotional Progression: Opens with one weathered voice telling the story alone, then swells into a rowdy, warm crew chorus. The second verse turns tender and reflective before the final chorus lands at full strength and the last line is left to a single voice.\r\nSonics & Production Profile: Dry, close and natural, like a room full of men around a table. No instruments at all. Width comes from the spread of voices, low end from bass singers and boot stomps.\r\nVocal Details\r\nVocal Gender & Timbre: Male lead, gravelly baritone with a storyteller'"'"'s clarity.\r\nVocal Style: Verses are sung solo, plainly and rhythmically, with clear diction. Choruses are belted with a rolling work-song swing.\r\nHarmony/Backing Vocals: A male crew of six to eight voices answers in the chorus in thick three-part harmony with a deep bass line, shouting the word \"Heave\" together.\r\nVocal FX: Short wooden room reverb only.\r\nArrangement\r\nPrimary: Human voices only, lead baritone throughout.\r\nSecondary: Boot stomps on beats one and three and hand claps on two and four enter with the first chorus and stay.\r\nGroove & Foundation Progression: Verse one is voice alone with a single stomp per bar. The chorus adds the full crew, stomps and claps. Verse two drops back to lead voice over low hummed harmony. The final chorus is the loudest moment, then everything stops for the solo last line.\r\nEmbellishments, Textures & Spatial FX: A table knock before each chorus, a low sustained hum under verse two, a shared breath before the final line.",
    "model": "MiniMaxMusic3_11B_INT8",
    "duration": 20,
    "inference_steps": 30,
    "guidance_scale": 1.7,
    "seed": -1,
    "format": "mp3",
    "vocal_language": "unknown",
    "lyrics": "[Verse]\r\nOh the fog rolled in on a Tuesday night\r\nAnd the gulls went quiet on the stone\r\nI trimmed the wick and I lit the light\r\nFor the ships that were far from home\r\n[Chorus]\r\nHeave away, the lamp is turning\r\nHeave away, the night is long\r\nKeep the fire on the headland burning\r\nTill the last of the fleet comes home\r\n[Verse]\r\nForty years on a rock in the weather\r\nWith a kettle, a dog and a bell\r\nCounting sails like a shepherd counts heather\r\nAnd I'"'"'ve known every one of them well\r\n[Chorus]\r\nHeave away, the lamp is turning\r\nHeave away, the night is long\r\nKeep the fire on the headland burning\r\nTill the last of the fleet comes home\r\n[Outro]\r\nTill the last of the fleet comes home"
}'