Nano Banana 2.1

“A high-speed wildlife photograph of a common kingfisher bursting out of a still river with a small silver fish in its beak, frozen at 1/8000 s. Wings swept back, every electric-blue and orange feather sharp, a crown of water droplets and a rising column of splash caught in mid-air, each droplet reflecting the sky. Low side light from the early morning sun, dark green out-of-focus reeds in the background, the bird's reflection broken up in the rippled water below. Telephoto compression, shallow d…” “A high-speed wildlife photograph of a common kingfisher bursting out of a still river with a small silver fish in its beak, frozen at 1/8000 s. Wings swept back, every electric-blue and orange feather sharp, a crown of water droplets and a rising column of splash caught in mid-air, each droplet reflecting the sky. Low side light from the early morning sun, dark green out-of-focus reeds in the background, the bird's reflection broken up in the rippled water below. Telephoto compression, shallow depth of field, natural colours.”

“A clean editorial infographic titled "HOW SOURDOUGH IS MADE" in bold dark-brown sans-serif capitals at the top, on a warm cream background. Five numbered steps run in a gentle S-curve connected by a dotted line, each with a flat illustrated icon and a short label set in a clear sans-serif: "1 FEED THE STARTER" with a glass jar of bubbly starter, "2 MIX & REST" with a ceramic bowl of shaggy dough, "3 STRETCH & FOLD" with two hands lifting dough, "4 SHAPE & PROOF" with a round banneton basket, "5…” “A clean editorial infographic titled "HOW SOURDOUGH IS MADE" in bold dark-brown sans-serif capitals at the top, on a warm cream background. Five numbered steps run in a gentle S-curve connected by a dotted line, each with a flat illustrated icon and a short label set in a clear sans-serif: "1 FEED THE STARTER" with a glass jar of bubbly starter, "2 MIX & REST" with a ceramic bowl of shaggy dough, "3 STRETCH & FOLD" with two hands lifting dough, "4 SHAPE & PROOF" with a round banneton basket, "5 BAKE AT 240 °C" with a cast-iron Dutch oven. A small footer line reads "Total time: about 24 hours". Limited palette of cream, wheat gold, terracotta and dark brown, even spacing, generous margins, flat vector style with subtle paper grain.”

“A screen-printed event poster for a summer night market. The headline "NIGHT MARKET" fills the top third in tall condensed white capitals with a slight ink misregistration. Beneath it a stylised illustration of a street lined with food stalls under strings of paper lanterns, steam rising from woks, small silhouetted figures carrying bowls, a crescent moon above the rooftops. A coral banner across the lower part reads "EVERY FRIDAY IN JULY", and the bottom line in small capitals reads "RIVERSIDE…” “A screen-printed event poster for a summer night market. The headline "NIGHT MARKET" fills the top third in tall condensed white capitals with a slight ink misregistration. Beneath it a stylised illustration of a street lined with food stalls under strings of paper lanterns, steam rising from woks, small silhouetted figures carrying bowls, a crescent moon above the rooftops. A coral banner across the lower part reads "EVERY FRIDAY IN JULY", and the bottom line in small capitals reads "RIVERSIDE QUAY · FROM 6 PM · FREE ENTRY". Three flat inks only: deep indigo, coral red and warm yellow on off-white paper, visible halftone texture and slightly rough edges.”

“A photographic portrait of a potter in her sixties at work in a small studio, shot on a 85mm lens at f/2. She has silver hair tied back, clay-dusted forearms and a linen apron, and looks down with quiet concentration at a tall vase turning on the wheel between her wet hands. Soft north light from a window on the left rakes across her face and picks out the ridges her fingers leave in the clay. Behind her, out of focus, shelves of unglazed bowls and jars. Natural skin texture with fine lines and…” “A photographic portrait of a potter in her sixties at work in a small studio, shot on a 85mm lens at f/2. She has silver hair tied back, clay-dusted forearms and a linen apron, and looks down with quiet concentration at a tall vase turning on the wheel between her wet hands. Soft north light from a window on the left rakes across her face and picks out the ridges her fingers leave in the clay. Behind her, out of focus, shelves of unglazed bowls and jars. Natural skin texture with fine lines and pores, muted earth tones, shallow depth of field, no retouched look.”

“A photograph of a hand-painted mural on a whitewashed brick wall outside a neighbourhood cafe. The mural is a stack of five greetings, each on its own line in a different colour and lettering style, all sharp and correctly spelled: "WELCOME" in bold teal sign-painter capitals, "BIENVENUE" in flowing red script, "WILLKOMMEN" in black blackletter, "ようこそ" in thick navy brush strokes, and "WITAMY" in rounded mustard-yellow letters. A bicycle with a wicker basket leans against the wall on the rig…” “A photograph of a hand-painted mural on a whitewashed brick wall outside a neighbourhood cafe. The mural is a stack of five greetings, each on its own line in a different colour and lettering style, all sharp and correctly spelled: "WELCOME" in bold teal sign-painter capitals, "BIENVENUE" in flowing red script, "WILLKOMMEN" in black blackletter, "ようこそ" in thick navy brush strokes, and "WITAMY" in rounded mustard-yellow letters. A bicycle with a wicker basket leans against the wall on the right, a potted olive tree stands on the left, morning sun casts soft diagonal shadows across the bricks. Straight-on view, natural colours.”

“A studio product photograph of three matte cylindrical tea tins standing in a row on a pale stone surface against a soft sage-green backdrop. Each tin carries a clean, perfectly legible wrap-around label with a small line drawing above the name: the left tin is forest green and reads "JASMINE PEARL" with "Green Tea · 80 g" beneath, the middle tin is terracotta and reads "SMOKED EARL GREY" with "Black Tea · 100 g", the right tin is cream and reads "CHAMOMILE HONEY" with "Herbal Infusion · 60 g".…” “A studio product photograph of three matte cylindrical tea tins standing in a row on a pale stone surface against a soft sage-green backdrop. Each tin carries a clean, perfectly legible wrap-around label with a small line drawing above the name: the left tin is forest green and reads "JASMINE PEARL" with "Green Tea · 80 g" beneath, the middle tin is terracotta and reads "SMOKED EARL GREY" with "Black Tea · 100 g", the right tin is cream and reads "CHAMOMILE HONEY" with "Herbal Infusion · 60 g". The brand name "FIELD & KETTLE" appears in small capitals at the top of every label. A few loose tea leaves and a brass scoop lie in front. Soft diffused light from the upper left, gentle shadows, crisp edges.”

“A precise labelled technical illustration of a mechanical watch movement seen from the back, drawn in fine ink lines with soft watercolour tints on white paper. Thin straight leader lines connect seven parts to neat sans-serif labels arranged around the drawing without overlapping: "MAINSPRING BARREL", "CENTRE WHEEL", "THIRD WHEEL", "ESCAPE WHEEL", "PALLET FORK", "BALANCE WHEEL" and "CROWN". Gear teeth are evenly spaced, jewels are shown as small ruby-red dots, the brass plates are tinted pale g…” “A precise labelled technical illustration of a mechanical watch movement seen from the back, drawn in fine ink lines with soft watercolour tints on white paper. Thin straight leader lines connect seven parts to neat sans-serif labels arranged around the drawing without overlapping: "MAINSPRING BARREL", "CENTRE WHEEL", "THIRD WHEEL", "ESCAPE WHEEL", "PALLET FORK", "BALANCE WHEEL" and "CROWN". Gear teeth are evenly spaced, jewels are shown as small ruby-red dots, the brass plates are tinted pale gold and the steel parts blue-grey. The title "MECHANICAL MOVEMENT" sits at the top in spaced capitals, with a small caption "Fig. 3 — manual-wind calibre" at the bottom.”

“A gouache illustration for a children's picture book: a small red fox in a mustard knitted scarf sits in a worn green armchair inside a hollow tree, reading a large open book by the glow of a paper lantern. Shelves carved into the trunk hold tiny books, jars of acorns and a steaming teapot. Through a round window, snow falls on a blue evening forest. Visible brush strokes, soft rounded shapes, warm orange light against cool blue shadows, a hand-painted texture with slightly uneven edges, cosy an…” “A gouache illustration for a children's picture book: a small red fox in a mustard knitted scarf sits in a worn green armchair inside a hollow tree, reading a large open book by the glow of a paper lantern. Shelves carved into the trunk hold tiny books, jars of acorns and a steaming teapot. Through a round window, snow falls on a blue evening forest. Visible brush strokes, soft rounded shapes, warm orange light against cool blue shadows, a hand-painted texture with slightly uneven edges, cosy and quiet mood.”

“Show the woman from the first image wearing the red quilted jacket from the second image, zipped halfway, instead of her denim jacket. Keep her face, hair, pose, the tulips, the flower stall and the lighting from the first image unchanged. The jacket must keep its colour, quilting pattern, stand-up collar and silver zip.” “Show the woman from the first image wearing the red quilted jacket from the second image, zipped halfway, instead of her denim jacket. Keep her face, hair, pose, the tulips, the flower stall and the lighting from the first image unchanged. The jacket must keep its colour, quilting pattern, stand-up collar and silver zip.”

“Using the provided image, change only the blue denim jacket to a rust-orange waterproof raincoat with the hood down. Keep everything else in the image exactly the same: her face, hair, expression, pose, the yellow tulips, the flower stall, the lighting and the framing.” “Using the provided image, change only the blue denim jacket to a rust-orange waterproof raincoat with the hood down. Keep everything else in the image exactly the same: her face, hair, expression, pose, the yellow tulips, the flower stall, the lighting and the framing.”

“Replace the area scribbled in red with a tall fiddle-leaf fig in a woven basket planter standing on the floor. Remove the red marking completely. Keep the rest of the room, the sofa, the window and the lighting unchanged.” “Replace the area scribbled in red with a tall fiddle-leaf fig in a woven basket planter standing on the floor. Remove the red marking completely. Keep the rest of the room, the sofa, the window and the lighting unchanged.”

“Turn this pencil sketch into a finished studio product photograph of the same desk lamp. Keep the proportions and shapes from the sketch: the round base, the single curved arm and the cone-shaped shade. Make the lamp matte sage green with a brass joint and a warm light switched on, standing on a light oak desk against a soft grey wall. Remove the construction lines, arrows and paper.” “Turn this pencil sketch into a finished studio product photograph of the same desk lamp. Keep the proportions and shapes from the sketch: the round base, the single curved arm and the cone-shaped shade. Make the lamp matte sage green with a brass joint and a warm light switched on, standing on a light oak desk against a soft grey wall. Remove the construction lines, arrows and paper.”

“Show the man from the first image and the woman from the second image sitting side by side at a small wooden table on a cafe terrace, each holding a cup of coffee and laughing together. Keep both faces, his beard and glasses, her red hair and freckles, and their clothing exactly as in the references. Late afternoon sun, potted plants and a blurred street behind them, photographic style.” “Show the man from the first image and the woman from the second image sitting side by side at a small wooden table on a cafe terrace, each holding a cup of coffee and laughing together. Keep both faces, his beard and glasses, her red hair and freckles, and their clothing exactly as in the references. Late afternoon sun, potted plants and a blurred street behind them, photographic style.”

“Place this exact bottle on a wet, moss-covered stone beside a shallow forest stream, with ferns and soft dappled sunlight in the background and a few water droplets on the glass. Keep the bottle's shape, amber colour, black cap and label unchanged, and print "NORTHWOOD" in small black capitals with "Face Oil · 30 ml" beneath it on the label. Photographic product shot, shallow depth of field.” “Place this exact bottle on a wet, moss-covered stone beside a shallow forest stream, with ferns and soft dappled sunlight in the background and a few water droplets on the glass. Keep the bottle's shape, amber colour, black cap and label unchanged, and print "NORTHWOOD" in small black capitals with "Face Oil · 30 ml" beneath it on the label. Photographic product shot, shallow depth of field.”

“Translate all the text on this poster into Spanish and keep everything else identical: the illustration, the three ink colours, the layout and the lettering style. The headline becomes "MERCADO NOCTURNO", the banner becomes "TODOS LOS VIERNES DE JULIO", and the bottom line becomes "MUELLE DEL RÍO · DESDE LAS 18 H · ENTRADA LIBRE"” “Translate all the text on this poster into Spanish and keep everything else identical: the illustration, the three ink colours, the layout and the lettering style. The headline becomes "MERCADO NOCTURNO", the banner becomes "TODOS LOS VIERNES DE JULIO", and the bottom line becomes "MUELLE DEL RÍO · DESDE LAS 18 H · ENTRADA LIBRE"”

“Re-render this portrait as a two-colour linocut print in black and deep teal on cream paper, with bold carved lines, visible gouge marks and slightly uneven ink. The man must stay clearly recognisable: same face shape, beard, round glasses, sweater and slight smile, same head-and-shoulders framing.” “Re-render this portrait as a two-colour linocut print in black and deep teal on cream paper, with bold carved lines, visible gouge marks and slightly uneven ink. The man must stay clearly recognisable: same face shape, beard, round glasses, sweater and slight smile, same head-and-shoulders framing.”